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PK51 & PK55 Tables

Fritz Hansen – Poul Kjærholm, 1957

PK51 & PK55 Tables  Poul Kjærholm, 1957

The PK51™ and PK55™ (slightly smaller than the former) are rectangular work tables originally handcrafted in 1957 by Poul Kjærholm. Characterized by their ash veneer top and satin stainless steel frame, the two tables were originally launched with the PK11™ chair as a matching set, respectively.

PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957

PK51 204 x 102 x H72 cm PK55 180 x 90 x H72 cm
Materials ash veneer top, satin brushed stainless steel base
Warranty Fritz Hansen offer up to 20 years limited warranty if the products are registered at fritzhansen.com/my-fh

PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957

PK51 Table – 204 x 102 x H72 cm

PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957

PK55 Table – 180 x 90 x H72 cm

Free samples (against deposit)

PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957

PK51 Table

PK55 Table

PK51 & PK55 Tables  Poul Kjærholm, 1957
PK51 & PK55 Tables  Poul Kjærholm, 1957

Poul Kjærholm

Acclaimed for his distinctive style of furniture design, Poul Kjaerholm was born in Øster Vrå, Denmark in 1929. His pieces are considered to contain a minimalist and articulated form, all in relief with a style that is still famous around the world.

From modest beginnings as a cabinetmaker apprentice at the Gronbech workshop in 1948, Kjaerholm continued to forge his ideology at the Danish School of Arts and Crafts in Copenhagen. Far from shunning the majority of his Scandinavian counterparts, the Dane chose steel as the main material rather than wood. "The potential of steel is not the only thing that interests me, the refraction of light on its surface is an important part of my artistic work. "

Awarded the prestigious Lunning Prize in 1958 and the Trennali Grand Prix in Milan in 1960, Kjaerholm's drawings continue to be featured in the permanent collections of the New York Museum of Modern Art, the Victoria and Albert Museum in London. in many other museums across Denmark, Norway, Sweden and Germany.