The Grand Prix Chair was designed by architect designer Arne Jacobsen in 1957, and presented that same year at the Danish Arts and Crafts Spring Fair at the Museum of Fine Arts and Design in Copenhagen. Originally called model 3130, it was renamed after winning the Grand Prix at the Milan Triennale in 1957.
The Grand Prix Chair was then produced with wooden legs, which were later replaced by the metal chair legs 3107.
The Grand Prix chair with wooden legs, designed by Arne Jacobsen in 1957, is an icon of Scandinavian design. With its one-piece molded plywood shell, formed from nine layers of veneer, it offers a fluid, ergonomic silhouette. Its solid wood legs add warmth and natural elegance. An award-winner at the Milan Triennale, this chair combines technical innovation, minimalism and comfort, remaining a timeless classic of modern furniture.
The Grand Prix chair with metal legs, designed by Arne Jacobsen in 1957, is an icon of Scandinavian design. With its molded plywood shell, formed from nine layers of veneer for an elegant ergonomic curve, it combines comfort and minimalism. The sturdy, slender tubular steel legs contrast with the warmth of the wood, offering a modern, timeless aesthetic. An award-winner at the Milan Triennale, this chair embodies Danish innovation and elegance, perfect for contemporary interiors.
Arne Jacobsen is born on February 11, 1902 in Copenhagen. His father, Johan Jacobsen, is a wholesale trader in safety pins and snap fasteners. His mother, Pouline Jacobsen, a bank clerk, paints floral motifs in her spare time. The family lived in a typical Victorian style home. As a contrast to his parents’ overly decorated taste, Arne paints his room in white.
Background & school relations
He met the Lassen brothers at Nærum Boarding School: later, Flemming Lassen was to become his partner in a series of architectural projects. Arne Jacobsen is a restless pupil, always up to pranks, with a self-deprecating humour. Already as a child, he showed an extraordinary talent for drawing and depicting nature through scrupulous studies. He wants to be painter, but his father felt that architect was a more sensible choice.
The Pleasant and the necessary trips abroad
Jacobsen’s travelling begin already in his twenties, when he went to sea to New York. Then followed an apprenticeship as a bricklayer in Germany and a series of study and drawing excursions to Italy. Jacobsen produced some of his finest watercolours during this period, capturing atmospheres and shapes accurately and carefully. From the beginning of his career, Jacobsen turned his gaze abroad, without abandoning Danish traditions.
Arne Jacobsen behind the design
Jacobsen production reflects his personality: an insistent, perfectionist modernist, to whom no detail was trivial, although the main picture was basically black/white and unambiguous. On the other hand, the nature-loving botanist and jovial family man: like him, his work is precise and warm, Danish and universal, modern and timeless.
