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&Tradition

TRIPOD Floor & Table lamps

design Hvidt & Mølgaard, 1953

The floor & table lamps Tripod from 1953 reflect the clean minimalism of the gifted duo Hvidt & Mølgaard. Built from lacquered steel with brass details, Tripod strikes a delicate balance between the stark simplicity of its design and the softness injected by the curved edges of its base.

Although the lamps were designed in 1953, this is the first time they are in production.

Materials shade spun from a single piece of aluminum – base made from bend steel tubes – laquered in a satin matt finish – 3 colors : black, maroon and moss (grey)

Certification CE, IP20, Class II 

Tripod floor lamp - HM8

Dimensions H134 cm – base 47 x 63 cm – weight 5,3 kg – cord 2 m, with switch

Light source 1 x E27 - bulb not included

Tripod floor lamp - Black

672 €

Tripod floor lamp - Maroon

672 €

Tripod floor lamp - Moss (grey)

672 €

Tripod table lamp - HM9

Dimensions H45 cm – base 26 x 31 cm – weight 0.9 kg – cord 2 m, with switch

Light source 1 x E14 - bulb not included

Tripod table lamp - Black

322 €

Tripod table lamp - Maroon

322 €

Tripod table lamp - Moss (grey)

322 €

Hvidt & Mølgaard

Peter Hvidt (1916-1986) and Orla Mølgaard-Nielsen (1907-1993) were pioneers of Danish mid-century design and the founders of Copenhagen-based firm Hvidt & Mølgaard.

Renowned for the simplicity of their works, the duo established a simple and precise aesthetic designing countless pieces of furniture over the years, many of which became icons of the era. The success of the AX chair (crafted in 1950) was a seminal moment for the pair. Not only did its smooth, tightly controlled silhouette secure their stance as leaders of Danish modernism, but the use of laminated wood allowed the chair to be produced on a mass scale and exported internationally. This forward-thinking approach to industrialized production paved the way for a new movement that drew upon classical craftsmanship techniques to make affordable, beautifully crafted home furnishings.

Both Hvidt and Mølgaard-Nielsen boasted superior technical skills. Mølgaard-Nielsen studied furniture design at the Royal Danish Academy of Fine Arts under the tutelage of Kaare Klint, while Hvidt gained knowledge of traditional craftsmanship during his time studying cabinetry at the School of Arts and Crafts in Copenhagen. Today, their work can be found exhibited at MoMA, Melbourne’s National Gallery, and Copenhagen’s Design Museum.