The PH Artichoke suspension is an authentic design icon, an aesthetic and technical manifesto, one of the masterpieces of Danish designer Poul Henningsen. It diffuses 100% glare-free light thanks to 72 metal sheets arranged in 12 rows of 6 sheets each, precisely positioned to avoid any direct view of the light source. The suspension lamp diffuses a beautiful, comfortable light that illuminates both the space and the lamp itself. The LED version is energy-efficient.
Materials Leaves: steel, Top shade: spun steel, Frame: steel, Suspension: aluminium – Cable 400 cm, white textile
Weight Min: 8,6 kg Max: 27,9 kg
Class Ingress protection IP20. Electric shock protection I w. ground.
Dimensions Ø48 x H49.7cm
Light source 1 x E27 or LED integrated 3000-1800K 41W DALI, phase dimming or wireless bluetooth (maximum distance between external driver and lamp: 20m)
Black – Ø48 cm
Dimensions Ø60 x H58cm
Light source 1 x E27 or dimmable LED 2700K (96W, 38 lumen/W) or 3000K (96W, 39 lumen/W)
Wiring The LED versions are available in DALI wired version and Bluetooth (maximum distance between external driver and lamp: 20m)
Black – Ø60 cm
from
Dimensions Ø72 x H65cm
Light source 1 x E27 or dimmable LED 2700K (96W, 37 lumen/W) or 3000K (96W, 38 lumen/W)
Wiring The LED versions are available in DALI wired version and Bluetooth (maximum distance between external driver and lamp: 20m)
Black – Ø72 cm
from
Dimensions Ø84 x H72cm
Light source 1 x E27 or dimmable LED 2700K (96W, 37 lumen/W) or 3000K (96W, 38 lumen/W)
Wiring The LED versions are available in DALI wired version and Bluetooth (maximum distance between external driver and lamp: 20m)
Black – Ø84 cm
from
Poul Henningsen
Born in Copenhagen, Poul Henningsen's mother was the famous Danish actress Agnes Henningsen. He never qualified as an architect, but studied at the Technical School in Frederiksberg (Denmark) from 1911 to 1914, and then at the Technical College in Copenhagen (1914-1917).
He started out practising traditional functionalist architecture, but over the years his professional interests evolved to focus mainly on lighting, which is what he is most famous for. He also branched out into writing, becoming a journalist and author. For a brief period at the start of the Second World War, he was chief architect of Tivoli Gardens in Copenhagen. But like many other creative people, he was forced to flee Denmark during the German occupation, and soon became a vital part of the Danish colony of artists living in Sweden.
His long collaboration with Louis Poulsen began in 1925 and lasted until his death. To this day, Louis Poulsen still benefits from his genius. Poul Henningsen was also the first editor-in-chief of the business magazine "NYT". Louis Poulsen's CEO at the time, Sophus Kaastrup-Olsen, offered PH the magazine because he had been sacked from the Danish newspaper he was working for (his views were too radical).
Poul Henningsen's pioneering work on the relationship between light structures, shadows, glare and colour reproduction, compared with man's need for light, remains the foundation of the lighting theories still practised by Louis Poulsen.
Poul Henningsen
Né à Copenhague, Poul Henningsen avait pour mère la célèbre actrice danoise Agnes Henningsen. Il n’a jamais obtenu son diplôme d’architecte, mais a étudié à l’école technique de Frederiksberg (Danemark) de 1911 à 1914, puis au Technical College de Copenhague (1914-1917).
Il a commencé à pratiquer l'architecture traditionnelle fonctionnaliste, mais au fil des ans, ses intérêts professionnels ont évolué pour se concentrer principalement sur l'éclairage, qui est ce qui le rend le plus célèbre. Il a également étendu son domaine d’activité à des domaines d’écriture, devenant journaliste et auteur. Pendant une courte période au début de la Seconde Guerre mondiale, il a été l’architecte en chef des jardins de Tivoli à Copenhague. Mais comme beaucoup d'autres créatifs, il a été contraint de fuir le Danemark pendant l'occupation allemande, puis est rapidement devenu un élément vital de la colonie danoise d'artistes vivant en Suède.
Sa longue collaboration avec Louis Poulsen a commencé en 1925 et a duré jusqu'à sa mort. À ce jour, Louis Poulsen bénéficie toujours de son génie. Poul Henningsen était également le premier rédacteur en chef du magazine d'entreprise «NYT». Le PDG de Louis Poulsen à l’époque, Sophus Kaastrup-Olsen, a offert le magazine à PH parce qu’il avait été licencié du journal danois pour lequel il travaillait (ses opinions étaient trop radicales).
Le travail de pionnier de Poul Henningsen sur les relations entre les structures lumineuses, les ombres, l’éblouissement et la reproduction des couleurs, comparé au besoin de lumière de l’homme, reste le fondement des théories lumineuses encore pratiquées par Louis Poulsen.
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