In The Tube 360°

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IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

The In The Tube 360° (ITT 360°) lamps consist of LEDs mounted on an aluminium profile, which emit a 360° light that is distributed perfectly evenly over the entire length. Rated to IP65, the ITT 360° lamps can be used indoors (e.g. a washroom) as well as outdoors.

Like the In The Tube, the ITT 360° can be customised with a gold or silver mesh system, but also with a Flap system (360° swivel flaps for horizontal or vertical use) or Wing system (fixed wings designed for horizontal use).

Materials stainless steel 304, aluminium, glass, silicone
Warranty 2 years

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

ITT 360° with Mesh

ITT 360° with Flap

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

ITT 360° with Wing + Mesh

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

ITT 360° with Flap

Length 40cm – LED 6W 2700K / 300lm – IK07

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

With silver mesh (on / off)

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

With gold mesh

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

Without mesh

Length 70cm – LED 12W 2700K / 600lm – IK07

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

With silver mesh (on / off)

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

With gold mesh

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

Without mesh

Length 100cm – LED 18W 2700K / 900lm – IK07

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

With silver mesh (on / off)

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

With gold mesh (on / off)

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

Without mesh

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

 Wing + Silver mesh

 Wing + Gold mesh

 Wing + Without mesh

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

 Flap + Silver mesh

 Flap + Gold mesh

 Flap + Without mesh

Length 160cm – LED 32W 2700K / 1600lm – IK07

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

With silver mesh

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

With gold mesh

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

Without mesh

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

 Wing + Silver mesh

 Wing + Gold mesh

 Wing + Without mesh

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

 Flap + Silver mesh

 Flap + Gold mesh

 Flap + Without mesh

3 Fixing methods

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

Wall lamp kit

INCLUDED IN EACH LAMP

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

Horizontal suspension kit 

Vertical suspension kit

Accessories

The ornamental plate allows the wall wiring (optional) to be concealed. For indoor use only.

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

Ornamental plate

The waterproofing/connection box is an essential accessory for use of the luminaire outdoors or in bathrooms (protection against humidity). It can also be used indoors to conceal the wall wiring (optional).

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

Sealing box / Connection – Small

Sealing box / Connection – Large

IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018
IN THE TUBE 360° D. Perrault & G. Lauriot-Prévost, 2018

Dominique Perrault & Gaëlle Lauriot-Prévost

Dominique Perrault & Gaëlle Lauriot-Prévost

In 2008, Dominique Perrault described himself in eleven words : School. Rupture. Defiance. Void. Wall. Earth. Land art. Site. Place. Happiness. And finally, Mesh, a supple material that has structure but whose very essence is to be present and yet be invisible. It is a material that is both rigorous and poetic, virtual yet present and which the architect has used in the past as a way of delineating a geographic area, either as a protection or a way of welcoming, as well as a way of channelling natural or artificial light. This is the same mesh that Dominique Perrault and Gaëlle Lauriot-Prévost have adapted, manipulated, contorted and transplanted into the inner workings of their lamps to create the thousands of exceptional and powerful lighting solutions that light up the French National Library, day and night.

Not one who is prone to brandishing himself in the media, his conceptual hedonism comes allied with an infectious enthusiasm and a healthy dose of fun. Dominique Perrault’s signature is barely seen on products. It is something of an event therefore when he uses it, along with that of Gaëlle Lauriot-Prévost, on the IN THE TUBE and IN THE SUN collections. It is, in its way, a way of domesticating and refining the raw power of the industrial, of filtering the source into something considered and thought-out, resulting in an object that is comfortable, soft and sophisticated.

« This transfer of universes is nothing new. The domestic interior is these days constantly being penetrated by the industrial, which in turn has long since lost its aura of being something nasty and noisy, separate to the rest of the world. Nowadays it is normal to make use of these components which fit naturally into the world of design ».