Scandinavia Design

CH002 / 006 Dining Table

Carl Hansen & Søn
Hans Wegner, 1982

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Carl Hansen & Søn, Design Danois
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982

Ideal for small places, CH002 and CH006 tables are equipped with two articulated oval leaves. Each extensions leaves measure 90x49cm. Tabletop edges are round. The CH002 table has a central tabletop measuring 90x90cm, CH006 table a central tabletop measuring 138x90cm. 

CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982

Table CH002 L90/188 x 90 x H72 cm 

Table CH006 L138/236 x 90 x H72 cm

CH002 Table
from

CH006 Table
from

CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982

CH002 Oiled oak

CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982

CH002 Soaped oak

CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982

CH002 Oiled beech

CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982

CH006 Oiled oak

CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982

CH006 Soaped oak

CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982

CH006 Oiled beech

wood & finishes

CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982
CH002 / 006 Dining Table  Carl Hansen & Søn  Hans Wegner, 1982

Hans J. Wegner

Hans J. Wegner
Hans J. Wegner
Hans J. Wegner

Hans J. Wegner was born in 1914 in Tønder, Denmark, the son of a shoemaker. At the age of 17, he finished his apprenticeship as a cabinetmaker with H. F. Stahlberg, in whose workshops Wegner’s first design experiments took form. He moved to Copenhagen as a 20 year-old, and attended the School of Arts and Crafts from 1936 – 1938 before he began working as an architect.

As a young architect, Wegner joined Arne Jacobsen and Erik Møller in Århus, working on furniture design for the new Århus city hall in 1940. It was during the same year that Wegner began collaborating with master cabinetmaker, Johannes Hansen, who was a driving force in bringing new furniture design to the Danish public.

The Copenhagen Museum of Art and Industry acquired its first Wegner chair in 1942.

Wegner started his own design office in 1943. It was in 1944 that he designed the first “Chinese chair” in a series of new chairs that were inspired by portraits of Danish merchants sitting in Ming chairs. One of these chairs, the “Wishbone Chair”, designed in 1949 and produced by Carl Hansen & Son in Odense since 1950, became the most successful of all Wegner chairs.

Among Danish furniture designers, Hans J. Wegner is considered one of the most creative and productive. He has received practically every major recognition given to designers, including the Lunning prize, the grand prix of the Milan Triennale, Sweden’s Prince Eugen medal and the Danish Eckersberg medal. Wegner is an honorary Royal designer for industry of the Royal Society of Arts in London. Almost all of the world’s major design museums – from The Museum of Modern Art in New York to Die Neue Sammlung in Munich – include his furniture in their collections.

Hans J. Wegner died in Denmark in January, 2007.

A few major characteristics about Hans J. Wegner:
- First a cabinetmaker, then a designer: he integrates exacting joinery techniques and exquisite forms.
- A deep respect for wood and its characteristics – and an abiding curiosity about other natural materials.
- Brings an organic, natural softness to formalistic minimalism.
- Generally regarded as ”the master of the chair”, with more than 400 chair designs to his name.

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