Until January 31, 2022:
Buy a PSCC and get a free fixed seat cushion – Fabric Hopsak or Checker

15% off with BLACK15

Buy a Vitra Eames Plastic Chair or Armchair
and get a free seat cushion – Until January 31, 2022

Vitra



PSCC Eames Plastic Chair

design Charles & Ray Eames, 1950

The PSCC Chair (PSCC = Pivot Side Chair Cast Base on Castors) ensure superb comfort thanks to the organically shaped, swivel-mounted seat shell with shock-absorbing suspension and adjustable height. They are ideal for home offices.

Shell dyed-through polypropylene

Dimensions PSCC adjustable seat height from 36 to 48,5 cm – W46,5 cm – D55 cm

To take advantage of the campaign, choose a chair below
and complete it by choosing a fixed seat cushion.

PSCC Eames Plastic Chair
515 €

PSCC Chair
04 – white

PSCC Chair
03 – poppy red

PSCC Chair
11 – pebble

PSCC Chair
12 – deep black

PSCC Chair
23 – ice grey

PSCC Chair
24 – light grey

PSCC Chair
41 – pale rose

PSCC Chair
34 – mustard

PSCC Chair
26 – sunlight

PSCC Chair
42 – green

PSCC Chair
43 – rusty orange

PSCC Chair
48 – forest

PSCC Chair
56 – granite grey

PSCC Chair
83 – sea blue

Add optional upholstery for DSW Chairs

CAMPAIGN

+ fixed seat cushion
from 90 €
0€ Until January 31, 2022

+ front upholstery
from 180 €

Hopsak fabric

100 % polyamide | 550 gr/m2

Hopsak is an expressive, flat plain-weave fabric made of polyamide. The duotone colours offer a multitude of design possibilities in high-contrast, brightly hued or subtle combinations of warp and weft threads. Highly durable and robust, Hopsak can be used in private interiors as well as public areas.

yellow
/ pastel green (71)

grass-green
/ ivory (69)

grass-green
/ forest (70)

ivory
/ forest (87)

nero
/ forest (77)

mint
/ ivory (85)

mint
/ forest (86)

petrol
/ moor brown (73)

ice blue
/ ivory (81)

ice blue
/ moor brown (82)

blue
/ ivory (83)

blue
/ moor brown (84)

dark blue
/ ivory (74)

dark blue
/ moor brown (75)

dark grey (05)

nero (66)

nero
/ moor brown (78)

marron
/ moor brown (76)

warm grey
/ moor brown (80)

red
/ moor brown (62)

red
/ cognac (96)

red
/ poppy red (63)

coral
/ poppy red (65)

pink
/ poppy red (68)

poppy red
/ ivory (67)

yellow
/ poppy red (72)

cognac
/ ivory (88)

warm grey
/ ivory (79)

Checker fabric

23% polyester, 77% cotton | 467 gr/m2

Alexander Girard developed the textile pattern 'Checker' in 1965 as part of his legendary redesign of the corporate image for Braniff International Airlines. The checkerboard design is a prime illustration of Girard's radical break from the conventional low-key aesthetic that characterised the sector at that time. The soft double weave fabric, with a high percentage of cotton, demonstrates exceptional purity of colour and its geometric pattern lends a striking note to any environment.

Charles & Ray Eames

Charles Eames, born 1907 in St. Louis, Missouri, studied architecture at Washington University in St. Louis and opened his own office together with Charles M. Gray in 1930. In 1935 he founded another architectural firm with Robert T. Walsh. After receiving a fellowship in 1938 from the Cranbrook Academy of Art, he moved to Michigan and assumed a teaching position in the design department the following year. In 1940, he and Eero Saarinen won first prize for their joint entry in the competition "Organic Design in Home Furnishings" organized by the New York Museum of Modern Art. During the same year, Eames became head of the department of industrial design at Cranbrook.

Ray Eames, born Bernice Alexandra Kaiser, was born in Sacramento, California in 1912. She attended the May Friend Bennet School in Millbrook, New York, and continued her studies in painting under Hans Hofmann through 1937. During this year she exhibited her work in the first exhibition of the American Abstract Artists group at the Riverside Museum in New York. She matriculated at the Cranbrook Academy of Art in 1940.

Charles and Ray Eames married in 1941 and moved to Los Angeles, where together they began experimenting with techniques for the three-dimensional moulding of plywood. The aim was to create comfortable chairs that were affordable. However, the war interrupted their work, and Charles and Ray turned instead to the design and development of leg splints made of plywood, which were manufactured in large quantities for the US Navy. In 1946, they exhibited their experimental furniture designs at MoMA. The Herman Miller Company in Zeeland, Michigan, subsequently began to produce Eames furniture. Charles and Ray participated in the 1948 'Low-Cost Furniture' competition at MoMA, and they built the Eames House in 1949 as their own private residence. In addition to their work in furniture design and architecture, they also regularly turned their hand to graphic design, photography, film and exhibition design.

In 1957 Vitra signed a licence agreement with Herman Miller and began producing the Eameses' designs for Europe and the Middle East. Charles and Ray Eames have had a profound and lasting influence on Vitra. It was the encounter with their work that spurred the company's beginnings as a furniture manufacturer. Yet it is not just the products of Charles and Ray Eames that have left a mark on Vitra. Even today, their design philosophy continues to significantly shape the company's values, orientation and goals.