Lampe de Marseille

design Le Corbusier, 1954

A very intimate beauty is the mark of this Le Corbusier piece, designed in 1954. Very pragmatic and sober, the Lampe de Marseille is inspired by the industrial lighting of its time. With its conical and orientable lampshade, as well as with the two light sources, the lamp will perfectly light up your room, in whatever direction you want. This Marseille wall lamp will find its place above a desk, a dining table or in a lounge space.

Materials Metal body. Outer part painted in matt grey, black or whitewash, inner part painted in shiny white.
Light source 2 bulbs E27.

Dimensions Wall base H72 cm Arm W166 cm Lamp shade Ø50 x H38 cm

matt grey RAL7046

828 €

black RAL7021

828 €

whitewash RAL9002

828 €

Le Corbusier

Charles-Édouard Jeanneret-Gris, known as Le Corbusier, is a Swiss architect, urban planner, decorator, painter, sculptor, naturalized French author, born October 6, 1887 in La Chaux-de-Fonds in Switzerland and died August 27, 1965 in Roquebrune -Cap-Martin in France.

He is one of the main representatives of the modern movement with, among others, Ludwig Mies van der Rohe, Walter Gropius, Alvar Aalto, Theo van Doesburg and Robert Mallet-Stevens.

Le Corbusier also worked in town planning and design. He is known for being the inventor of the “housing unit”, a concept on which he began to work in the 1920s, an expression of theoretical reflection on collective housing.

Le Corbusier's architectural work comprising seventeen sites (including ten in France, the others being spread over three continents) was listed as a UNESCO World Heritage Site on July 17, 2016.

Le Corbusier's work and thought were particularly influential on post-war generations of architects and widely disseminated, before entering, with the period of postmodernism, a phase of significant and regular contestation.

He is the father of modern architecture, being the first to replace external load-bearing walls with reinforced concrete pillars placed inside buildings.

When Le Corbusier's death was announced, Alvar Aalto admitted that he had never appreciated the dogmatic prophet or the spokesman for modern architecture. Once the first surprise of the introductions, there was only a verbose flow. But the meticulous achievements of the architect builder deserved, according to the Finnish master, a completely different consideration, by their variety and their originality, their functionality and their adaptation to the constraint, their generous spirituality or their geometric destitution, their surprising evolution with the time…