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The Coppélia Suspended chandelier was designed by the Japanese designer Arihiro Miyake in 2015. Its structure, made of interacting but not touching steel wires, forms a central tube which carries 3 horizontal discs. These discs are held in place thanks to multiple steel wires in a game that is both labyrinthine and very orderly. The result is airy, refined and elegant. The multiple light sources of this chandelier are hidden inside polycarbonate tubes, a resistant material that ensures a non-dazzling diffusion of light; they give Coppélia Suspended a look of ancient candlelight.
This timelessly designed collection will find its place in a multitude of interiors, both private – living room, dining room, corridor – and public – restaurant, hotel lobby, auditorium, reception room.
Coppélia is inspired by the grace and delicacy of a dancer, her movements drawing lines and curves in an airy and poetic way. This name refers to the eponymous ballet choreographed by Arthur Saint-Léon, written by Charles Nuitter and put to music by Leo Delibes.
Materials electrolytic polished or Black Satin stainless steel frame, polycarbonate shades and suspension bracket.
Ø68 x H42 cm, cable 4 or 10 m
36 LED tubes, 2700K (warm light), 450 lumen, dimmable
Black satin
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Stainless steel polished
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Ø101 x H54 cm, cable 4 or 10 m
54 LED tubes, 2700K (warm light), 676 lumen, dimmable
Black satin
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Stainless steel polished
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Arihiro Miyake
"A Way to The Future - I'd like to believe that Design can indicate us to the new day."
Arihiro Miyake (Born in 1975 / Kobe, Japan)
Graduated from Kobe Design University, Japan in 1999 and Master degree in furniture and spatial design at Aalto University, Finland in 2002. After he had worked at a few design studios in Helsinki and Milan, in 2004, he established own design studio “Studio Arihiro Miyake” in Helsinki, Finland. The studio works internationally on the diverse design projects from the restaurant/exhibition architect to furniture/lighting designs. Arihiro is looking for the immortal aesthetics upon the innovative and technical challenges.
