Scandinavia Design

Toldbod 155 Bollard – Louis Poulsen

Poul Henningsen

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Louis Poulsen, Danish Design Lighting
TOLDBOD 155 Borne Louis Poulsen – Poul Henningsen
TOLDBOD 155 Borne Louis Poulsen – Poul Henningsen

The Toldbod 155 Borne lamp by Louis Poulsen is based on the PH elliptical reflector. This was the last attempt at street lighting designed by Poul Henningsen before his death. At the time, this luminaire was only used on a trial basis for municipalities in a suburban area north of Copenhagen.Β 

The original elliptical reflector was designed for a 100 W incandescent light source. Luminaires have changed a great deal since Poul Henningsen's first attempt, and materials and surface treatments have developed radically. The design expression is very minimalist and adapts easily to any architectural environment.

TOLDBOD 155 Borne Louis Poulsen – Poul Henningsen
TOLDBOD 155 Borne Louis Poulsen – Poul Henningsen
TOLDBOD 155 Borne Louis Poulsen – Poul Henningsen

Toldbod 155Β Β Bollard – Grey

Toldbod 155 Bollard – Black

TOLDBOD 155 Borne Louis Poulsen – Poul Henningsen
TOLDBOD 155 Borne Louis Poulsen – Poul Henningsen

Ground anchor

TOLDBOD 155 Borne Louis Poulsen – Poul Henningsen

Materials Fixture head: Chilled casting aluminium. Shield: Laser cut acrylic satine. Arm: Chilled casting aluminium. Post: Extruded aluminium.

Finish Aluminium coloured with textured surface or black with textured surface, powder coated.

Weight Maxi 6kg.

Dimensions H90 x W26,7 cm - shade Ø15,5 cm

Light source E14

Poul Henningsen

Poul Henningsen

Born in Copenhagen, Poul Henningsen's mother was the famous Danish actress Agnes Henningsen. He never qualified as an architect, but studied at the Technical School in Frederiksberg (Denmark) from 1911 to 1914, and then at the Technical College in Copenhagen (1914-1917).

He started out practising traditional functionalist architecture, but over the years his professional interests evolved to focus mainly on lighting, which is what he is most famous for. He also branched out into writing, becoming a journalist and author. For a brief period at the start of the Second World War, he was chief architect of Tivoli Gardens in Copenhagen. But like many other creative people, he was forced to flee Denmark during the German occupation, and soon became a vital part of the Danish colony of artists living in Sweden.

His long collaboration with Louis Poulsen began in 1925 and lasted until his death. To this day, Louis Poulsen still benefits from his genius. Poul Henningsen was also the first editor-in-chief of the business magazine "NYT". Louis Poulsen's CEO at the time, Sophus Kaastrup-Olsen, offered PH the magazine because he had been sacked from the Danish newspaper he was working for (his views were too radical).

Poul Henningsen's pioneering work on the relationship between light structures, shadows, glare and colour reproduction, compared with man's need for light, remains the foundation of the lighting theories still practised by Louis Poulsen.