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The PH 3½-3 Glass Pendant is one of many advanced projects undertaken by Poul Henningsen in the development of his world-famous three-shade system from 1926. Poul Henningsen devoted most of his life to taming electric light. He based his three-shade design on a logarithmic spiral to make optimum use of the light source. He was constantly doing calculations and tests. The form of the shades was determined by the way they were required to shape and reflect the light, and the lamp was designed to be glare-free.
The white opal glass shades soften the overall look of the lamp and illuminate its surroundings with a perfect, harmonious and glare-free light that only the classic three-shade system is capable of emitting. The shades are mouth-blown three-layer opal glass, which is glossy on top and sandblasted matt underneath to provide soft and uniform light distribution.
Dimensions Ø33 x H28,8 cm
Shade White opal blown glass
Mounting Longueur du câble 3 m + cache-piton
Weight 1,3 kg
Light source 1 x E27
Class IP20. Electric shock protection Cl. II.
Poul Henningsen, born in Copenhagen, is the son of the famous Danish writer Agnes Henningsen. He never graduated as an architect, but studied at The Technical School at Frederiksberg, Denmark from 1911-14, and then at Technical College in Copenhagen from 1914-17.
He started practicing traditional functionalistic architecture, but over the years his professional interests changed to focus mainly on lighting which is what he is most famous for. He also expanded his field of occupation into areas of writing, becoming a journalist and an author. For a short period at the beginning of WWII, he was the head architect of the Tivoli Gardens in Copenhagen. But like many other creative people, he was forced to flee Denmark during the German occupation but soon became a vital part of the Danish colony of artists living in Sweden.
His lifelong collaboration with Louis Poulsen Lighting began in 1925 and lasted until his death. To this day, Louis Poulsen Lighting still benefits from his genius. Poul Henningsen was also the first editor of the company magazine “NYT”. The CEO of Louis Poulsen at the time, Sophus Kaastrup-Olsen, gave the magazine to PH as a gift because he had been terminated from the Danish newspaper he worked for (his opinions were too radical).
Poul Henningsen's pioneering work concerning the relations between light structures, shadows, glare, and color reproduction—compared to man’s need for light remains the fondation of the lighting theories still practiced by Louis Poulsen Lighting