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Analog Table
Jaime Hayón

Analog table comes in three sizes and three variants, with table tops in white laminate, oak and walnut veneer. The base consists of four legs made of solid wood in the finishes black coloured oak, oak and walnut. The legs are attached to the table top with a ‘trumpet’ in either white or black coated aluminium. The underside of the table top is lacquered in colours matching the trumpet. Each leg is mounted with black synthetic glides.

Table top materials laminate or oak or walnut veneer legs solid oak or solid walnut
JH43 Table 130 x 105 x 72 cm
JH63 Table 185 x 105 x 72 cm
JH83 Table 245 x 105 x 72 cm

White tabletop and oak legs

JH43
130 x 105 x 72cm

JH63
185 x 105 x 72cm

JH83
245 x 105 x 72cm

Oak tabletop and oak legs

JH43
130 x 105 x 72cm

JH63
185 x 105 x 72cm

JH83
245 x 105 x 72cm

Walnut tabletop and black oak legs

JH43
130 x 105 x 72cm

JH63
185 x 105 x 72cm

JH83
245 x 105 x 72cm

Walnut tabletop and walnut legs

JH43
130 x 105 x 72cm

JH63
185 x 105 x 72cm

JH83
245 x 105 x 72cm

JH43

JH63

JH83

Jaime Hayón

Born in Madrid in 1974, Jaime Hayón has one of the most glittering careers in recent contemporary design. Although trained in Madrid, he forged his reputation at Fabrica, the creative breeding ground run by Benetton near the Italian city of Treviso. Arriving in 1997, at the young age of 24, Hayón worked for Oliviero Toscani, who would soon place him in charge of the design department. It was at Fabrica that Hayón first worked with BD on the Mail Me project.

In 2004, he decided to branch out on his own, settling in Barcelona and working on a number of projects while also exhibiting his more personal work in art galleries. The exhibition “Mediterranean Digital Baroque”, at London’s David Gill Gallery, and the bathroom collection he designed for ArtQuitect marked the start of his meteoric international rise, which was established with the Showtime collection for BD and his subsequent work with companies such as Metalarte, Camper, Lladró, Bisazza, Swarovsky, and Moooi.