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Society Table AJ52

design Arne Jacobsen, 1952

Danish architect and designer Arne Jacobsen is synonymous with modern Danish design, thanks to iconic furniturer such as the  Egg lounge chair or the Series 7 chair. One of the finest examples of his oeuvre is the exclusive Society Table, which Jacobsen was commissioned to design in 1952 as a gift for the American-Scandinavian Foundation's new office in New York. Carl Hansen & Søn is now introducing Jacobsen's visionary design, making it accessible to design enthusiasts worldwide. 

The desk is made of solid wood, veneer, and steel. The tabletop is covered with fine-structured leather, the drawer unit combines wood and veneer, and the table shelf - with two compartments that fit up to A4 and M65 envelopes - is made of wood with glass sides. The table features an integrated, brushed, stainless-steel desk lamp. Jacobsen designed all of the elements, including the conical lamp that completes the modernistic look.

Materials Walnut + black leather or Oak + brown leather – Stainless steel frame – Desk and drawers structure in solid wood, surfaces in plywood

Society Table 140 x 70 cm
from 7415 €

Society Table 160 x 70 cm
from 7759 €

Free samples

(against deposit)
95 €

>> woods & finishes

brown Freja leather

black Freja leather

Arne Jacobsen

Arne Jacobsen is born on February 11, 1902 in Copenhagen. His father, Johan Jacobsen, is a wholesale trader in safety pins and snap fasteners. His mother, Pouline Jacobsen, a bank clerk, paints floral motifs in her spare time. The family lived in a typical Victorian style home. As a contrast to his parents’ overly decorated taste, Arne paints his room in white.

Background & school relations

He met the Lassen brothers at Nærum Boarding School: later, Flemming Lassen was to become his partner in a series of architectural projects. Arne Jacobsen is a restless pupil, always up to pranks, with a self-deprecating humour. Already as a child, he showed an extraordinary talent for drawing and depicting nature through scrupulous studies. He wants to be painter, but his father felt that architect was a more sensible choice.

The Pleasant and the necessary trips abroad

Jacobsen’s travelling begin already in his twenties, when he went to sea to New York. Then followed an apprenticeship as a bricklayer in Germany and a series of study and drawing excursions to Italy. Jacobsen produced some of his finest watercolours during this period, capturing atmospheres and shapes accurately and carefully. From the beginning of his career, Jacobsen turned his gaze abroad, without abandoning Danish traditions.

Arne Jacobsen behind the design

Jacobsen production reflects his personality: an insistent, perfectionist modernist, to whom no detail was trivial, although the main picture was basically black/white and unambiguous. On the other hand, the nature-loving botanist and jovial family man: like him, his work is precise and warm, Danish and universal, modern and timeless.