Koppel wall clock - Ø30cm - black stainless steel, white dial

The clocks and alarm clocks in the Henning Koppel collection for Georg Jensen, part of the Danish brand's ongoing range, are iconic pieces of modernist Scandinavian design. Created by designer and sculptor Henning Koppel (1918-1981) in the 1960s, these objects combine minimalism, functionality, and organic elegance.

Koppel clocks and alarm clocks are distinguished by their clean lines and sculptural aesthetics, reflecting Koppel's modernist approach. The Koppel Wall Clock, introduced in the 1960s, features a minimalist dial with simplified or absent hour markers, accentuating the purity of its forms. Made of stainless steel or lacquered aluminum, they come in finishes such as black, white, or polished steel. 

Designed to combine aesthetics and practicality, Koppel wall clocks are ideal for contemporary interiors, from offices to living rooms. They operate with precise quartz movements, ensuring reliability and silence.

Koppel clocks and alarm clocks harmonize with Georg Jensen's ongoing collection, complementing other Koppel pieces such as jugs and candleholders. Their minimalist design complements Scandinavian or modern interiors, and their permanent availability makes them accessible pieces. 

Designer

Henning Koppel

Henning Koppel (1918–1981) was born on May 8, 1918, in Copenhagen, Denmark, into a cultured family; his father was the editor-in-chief of a newspaper and his mother was a pianist. From his teenage years, Koppel showed a talent for drawing, which led him to study at the Royal Danish Academy of Fine Arts in Copenhagen from 1936 to 1938.

In 1945, Koppel joined Georg Jensen, revolutionizing the brand with his modernist style. His jewelry, such as the “Amibe” necklace (1948), and his iconic Koppel pitcher (1952) introduced organic forms, breaking with traditional Art Nouveau motifs.

Koppel combined functionality with sculptural aesthetics. His works include the Caravel cutlery (1957), porcelain tableware (1960s), and the Koppel wall clock (1960), all marked by fluid lines inspired by nature. His design, described as “living functionalism,” elevates everyday life.

Koppel received gold medals at the Milan Triennale (1951, 1954, 1957) and the Lunning Prize (1953). His pieces, exhibited at MoMA and the Designmuseum Danmark, remain icons of Scandinavian design.