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Projecteur 365
Wall lamp – Pendant – Floor lamp
Le Corbusier, 1954

Projecteur 365 Wall lamp – Pendant – Floor lamp Le Corbusier, 1954

The new city of Chandigarh was built in the north of India just after independence in 1947. It is famous worldwide for its innovative urban plan, by Le Corbusier from a previous plan of Albert Mayer, and for its main buildings designed by Pierre Jeanneret, Maxwell Fry and Drew Jande. It was to illuminate the building of the High Court of Justice that Le Corbusier designed the Projecteur 365, that Nemo relaunches now in several versions: floor lamp, wall lamp and pendant.

The projector's body is made of painted aluminum (three colors: night blue, white sand and moka). The curved diffuser glass is sandblasted inside. Locking nuts are chromed black, like the rest of the screws and bolts. The base and hook are matching the body colour.

The wall and suspension versions are available for outdoor (IP65).

Projecteur 365 Wall lamp – Pendant – Floor lamp Le Corbusier, 1954
Projecteur 365 Wall lamp – Pendant – Floor lamp Le Corbusier, 1954
Projecteur 365 Wall lamp – Pendant – Floor lamp Le Corbusier, 1954

Dimensions

Floor lamp: H43 x W38 cm, base Ø28 cm

Pendant: Ø37 x H38 cm, canopy Ø18 cm

Wall lamp: Ø37 cm, base Ø17 cm, H38 cm


Sources lumineuses

Floor lamp: E27. Switch on the cable

Pendant: E27. Dimmable, according to the bulb. Cord max 3 m, IP30

Outdoor Pendant: E27. Dimmable, according to the bulb. Cord max 3m. IP54

Wall lamp: E27. Dimmable, according to the bulb. Orientable, IP30

Outdoor Wall lamp: E27. Dimmable, according to the bulb. Orientable. IP54

Projecteur 365 – Floor Lamp

Projecteur 365 Floor lamp Le Corbusier, 1954
Projecteur 365 Floor lamp Le Corbusier, 1954

Night blue

White sand

Projecteur 365 Floor lamp Le Corbusier, 1954
Projecteur 365 Floor lamp Le Corbusier, 1954

Moka

Projecteur 365 – Pendant

Projecteur 365 Pendant Le Corbusier, 1954
Projecteur 365 Pendant Le Corbusier, 1954

Night blue
from

White sand
from

Projecteur 365 Pendant Le Corbusier, 1954
Projecteur 365 Pendant Le Corbusier, 1954

Moka
from

Projecteur 365 – Wall Lamp

Projecteur 365 Wall lamp Le Corbusier, 1954
Projecteur 365 Wall lamp Le Corbusier, 1954

Night blue
from

White sand
from

Projecteur 365 Wall lamp Le Corbusier, 1954

Moka
from

Projecteur 365 Wall lamp Le Corbusier, 1954
Projecteur 365 Wall lamp – Pendant – Floor lamp Le Corbusier, 1954

Le Corbusier

Le Corbusier

Charles-Édouard Jeanneret-Gris, known as Le Corbusier, is a Swiss architect, urban planner, decorator, painter, sculptor, naturalized French author, born October 6, 1887 in La Chaux-de-Fonds in Switzerland and died August 27, 1965 in Roquebrune -Cap-Martin in France.

He is one of the main representatives of the modern movement with, among others, Ludwig Mies van der Rohe, Walter Gropius, Alvar Aalto, Theo van Doesburg and Robert Mallet-Stevens.

Le Corbusier also worked in town planning and design. He is known for being the inventor of the “housing unit”, a concept on which he began to work in the 1920s, an expression of theoretical reflection on collective housing.

Le Corbusier's architectural work comprising seventeen sites (including ten in France, the others being spread over three continents) was listed as a UNESCO World Heritage Site on July 17, 2016.

Le Corbusier's work and thought were particularly influential on post-war generations of architects and widely disseminated, before entering, with the period of postmodernism, a phase of significant and regular contestation.

He is the father of modern architecture, being the first to replace external load-bearing walls with reinforced concrete pillars placed inside buildings.

When Le Corbusier's death was announced, Alvar Aalto admitted that he had never appreciated the dogmatic prophet or the spokesman for modern architecture. Once the first surprise of the introductions, there was only a verbose flow. But the meticulous achievements of the architect builder deserved, according to the Finnish master, a completely different consideration, by their variety and their originality, their functionality and their adaptation to the constraint, their generous spirituality or their geometric destitution, their surprising evolution with the time…