Vegetal brique
99 €
Vegetal Cactus
99 €
Bocca
215 €
Rood blauwe stoel
205 €
MR 90 Barcelona
410 €
MR 20
235 €
Stuhl W1
149 €
Barrel Chair
459 €
Stuhl No.14
225 €
Hill House 1
235 €
Ball Chair
309 €
Karuselli armchair
575 €
Marshmallow sofa
615 €
Tulip Chair
199 €
Landi Chair
231 €
Coconut armchair
255 €
Diamond armchair
265 €
Antony
235 €
Organic armchair
199 €
Womb Chair & Ottoman
499 €
Zig Zag Stoel
137 €
Wiggle Chair
113 €
B3 Wassily
235 €
LCM armchair
189 €
Model C
117 €
Model B
117 €
Model A
117 €
Panton Chairs
149 €
LCW armchair
199 €
Butterfly stool
155 €
DKR Wire Chair
235 €
N.42 armchair
199 €
DSW Chair
129 €
Eames Elephant
189 €
Heart-Shaped Cone Chair
249 €
La Chaise
255 €
3-Benet Skalstol
199 €
Lounge chair & Ottoman
615 €
Aluminium Chair
545 €
Y-Chair
319 €
RAR armchair
149 €
Palmio N.41
199 €
Vitra
In 1953, the entrepreneur Willi Fehlbaum discovers the furniture of Charles & Ray Eames in a New York store. Immediately seduced by the designs, his enduring enthusiasm leads to the decision to become a furniture manufacturer. Back in Switzerland, Fehlbaum gets in contact with the Herman Miller furniture company in Michigan, the manufacturer of the Eames furniture.
In 1957, after 4 years of negotiations, Vitra begins with the licensed production of the Herman Miller Collection including designs by Charles & Ray Eames, George Nelson, Alexander Girard and Isamu Noguchi. In the following years, the Fehlbaum family (Willi, his wife Erika and their eldest son Rolf) comes into contact with Nelson, Girard and the Eames' on numerous occasions. For Rolf Fehlbaum, currently Vitra’s Chairman, these encounters number among his most formative experiences.
In the early 1960s, Willi Fehlbaum makes the acquaintance of the Danish designer Verner Panton, who is seeking a manufacturer for his design of a plastic chair. Vitra’s expertise in the processing of plastics gives Fehlbaum the confidence to develop the chair for mass production together with Panton. After several years of collaborative effort, Panton’s sculpture-like chair comes onto market in 1967 – the first cantilever-based plastic chair moulded in one piece and the first product developed directly by Vitra.
In 1984, the partnership with Herman Miller is terminated by mutual consent. Vitra acquires all rights for the production of furniture designs by Charles & Ray Eames and George Nelson, as well as Alexander Girard’s textiles for Europe and the Middle East. Now able to sell these products under its own label, Vitra operates as an independent brand.
In 2013, Vitra acquired the Finnish Artek, the renowned design company founded in 1935 in Finland by architect Alvar Aalto and his wife Aino, art promoter Maire Gullichsen and art historian Nils-Gustav Hahl. Artek was built upon the radical business plan to “sell furniture and to promote a modern culture of habitation by exhibitions and other educational means.” Artek has become one of the most innovative contributors to modern design, building on the heritage of Alvar Aalto.
For over two decades, the Vitra Design Museum has been making miniature replicas of milestones in furniture design from its collection. The Miniatures Collection encapsulates the entire history of industrial furniture design – moving from Historicism and Art Nouveau to the New Objectivity of Bauhaus and Radical Design, and from Postmodernism all the way up to the present day.
Exactly one sixth of the size of the historical originals, the chairs are all true to scale and precisely recreate the smallest details of construction, material and colour. The high standard of authenticity even extends to the natural grain of the wood, the reproduction of screws and the elaborate handicraft techniques involved. This has made the miniatures into popular collector's items as well as ideal illustrative material for universities, design schools and architects.
