Søborg chair 3072
upholstered seat & back
from 923 €
Søborg chair 3071
upholstered seat
from 839 €
Søborg chair 3062
upholstered seat & back
from 742 €
Søborg chair 3061
upholstered seat
from 658 €
chair + fabric seat & back
1186,80 €
chair + fabric seat & back
1086 €
chair + fabric seat & back
991,20 €
chair + fabric seat & back
832,80 €
chair with armrests + fabric seat
979,20 €
chair + fabric seat
702 €
chair + fabric seat
720 €
black lacquered oak - black legs
721,20 €
smoked lacquered oak - black legs
590,40 €
lacquered oak - chromed steel legs
541,20 €
lacquered oak - black legs
541,20 €
black lacquered oak - chromed steel legs
541,20 €
black lacquered oak - black legs
541,20 €
Dimensions W51 (62 with armrests) x D50.5 x H79.5 cm Seat height 45.5 cm
Finishes black lacquered oak – lacquered oak – smoked lacquered oak
Base chrome or black
Børge Mogensen’s (1914-1972) creative process produced long-lasting pieces with humans at the center. He became a highly influential post-war designer and a leading representative of Danish Modern.
Mogensen’s democratic design included simple and functional wooden furniture for both private and public spaces, with calm aesthetics and strong construction from quality materials. He believed in visual clarity and minimal decoration or experimentation, as seen in his classic Hunting Table and Deck Chair Set.
As a student at the Royal Danish Academy of Fine Arts, Mogensen was inspired by Kaare Klint’s use of human proportions with visual calm and functionalism. Mogensen, however, also placed emphasis on informal interior décor and the use of modern production facilities.
Mogensen completed his cabinetmaker training in 1934, followed by studies in furniture design. During this period he worked in the studios of Klint and Mogens Koch until he was hired as chief designer for the Danish furniture cooperative FDB in 1942, where he pioneered democratic design.
He began his own design studio in 1950, making modern, useful furniture produced from local, Nordic materials. His inspiration, however came from many cultures and styles, including international modernism, ethnic arts, Japanese carvings, and historic works.
Mogensen also taught furniture design and participated in exhibitions and competitions, such as the 1948, international
Competition for Low-Cost Furniture at the Museum of Modern Art in New York, which he entered together with his friend Hans J. Wegner.
He was awarded the Eckersberg Medal in 1950 and won the Danish Furniture Prize in 1971. In 1972 he was awarded the C.F. Hansen Medal and appointed Honorary Royal Designer for Industry at the Royal Society of Arts in London.
Børge Mogensen
Dimensions W51 x D50.5 x H79.5 cm Seat height 46.5 cm
Dimensions W51 x D50.5 x H79.5 cm Seat height 46.5 cm
black lacquered oak + black painted steel + Sonar 1792 fabric
black lacquered oak + black painted steel + cuir 95 cognac
customize your chair
black lacquered oak + black painted steel
smoked oak + black painted steel + Pilot 162 fabric
lacquered oak + black painted steel + Sunniva 236 fabric
black lacquered oak + black painted steel + Sonar 1792 fabric
black lacquered oak + chromium steel + Sunniva 152 fabric
smoked oak + black painted steel + Umami 191 fabric
black lacquered oak + chromed steel
lacquered oak + black painted steel
ready-made with back & seat upholstered
ready-made with upholstered seat
ready-made with wooden seat
smoked oak + black painted steel
lacquered oak + chromium steel
black lacquered oak + black painted steel
The Søborg chair was born for a competition launched by the MoMA in New York, in which Mogensen participated with his friend Hans J. Wegner. On this occasion, Mogensen made his first experiments with plywood with the ambition to make a chair that can be produced industrially.
Børge Mogensen presented the prototype of the Søborg chair in 1950. His intention was to combine the plywood technique with his signature, the functionalism applied to solid wood. The generous proportions of the seat and backrest, with or without padding, have been designed to ensure comfort and ergonomics.
The version with a metal frame, both light and strong, appeared in 1952. Although steel was not included in his favorite materials, he treated it in a very characteristic way of his style: the tapered shape of the feet, inspired by the wood technics, gives the chair a more artisanal look.
