Børge Mogensen’s (1914-1972) creative process produced long-lasting pieces with humans at the center. He became a highly influential post-war designer and a leading representative of Danish Modern.

Mogensen’s democratic design included simple and functional wooden furniture for both private and public spaces, with calm aesthetics and strong construction from quality materials. He believed in visual clarity and minimal decoration or experimentation, as seen in his classic Hunting Table and Deck Chair Set.

As a student at the Royal Danish Academy of Fine Arts, Mogensen was inspired by Kaare Klint’s use of human proportions with visual calm and functionalism. Mogensen, however, also placed emphasis on informal interior décor and the use of modern production facilities.

Mogensen completed his cabinetmaker training in 1934, followed by studies in furniture design. During this period he worked in the studios of Klint and Mogens Koch until he was hired as chief designer for the Danish furniture cooperative FDB in 1942, where he pioneered democratic design.

He began his own design studio in 1950, making modern, useful furniture produced from local, Nordic materials. His inspiration, however came from many cultures and styles, including international modernism, ethnic arts, Japanese carvings, and historic works.

Mogensen also taught furniture design and participated in exhibitions and competitions, such as the 1948, international

Competition for Low-Cost Furniture at the Museum of Modern Art in New York, which he entered together with his friend Hans J. Wegner.

He was awarded the Eckersberg Medal in 1950 and won the Danish Furniture Prize in 1971. In 1972 he was awarded the C.F. Hansen Medal and appointed Honorary Royal Designer for Industry at the Royal Society of Arts in London.

Børge Mogensen

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The Søborg chair was born for a competition launched by the MoMA in New York, in which Mogensen participated with his friend Hans J. Wegner. On this occasion, Mogensen made his first experiments with plywood with the ambition to make a chair that can be produced industrially.

Børge Mogensen presented the prototype of the Søborg chair in 1950. His intention was to combine the plywood technique with his signature, the functionalism applied to solid wood. The generous proportions of the seat and backrest, with or without padding, have been designed to ensure comfort and ergonomics.

The version with a metal frame, both light and strong, appeared in 1952. Although steel was not included in his favorite materials, he treated it in a very characteristic way of his style: the tapered shape of the feet, inspired by the wood technics, gives the chair a more artisanal look.