Until January 31, 2022:
Buy a DSX and get a free fixed seat cushion – Fabric Hopsak or Checker

15% off with BLACK15

Buy a Vitra Eames Plastic Chair or Armchair
and get a free seat cushion – Until January 31, 2022

Vitra


DSX, Eames Plastic Side Chair

design Charles & Ray Eames, 1950

The DSX (Dining Side chair X-base) Eames Plastic Chair is characterized by its simple tubular base. The version basic dark powder coated base is suitable for outdoor use. 

The Vitra Eames Plastic Side Chairs DSX, DSW and DSR are renewed versions of the legendary Fiberglass Chairs. The original, which was the very first industrially produced plastic chair, was jointly developed with Zenith Plastics for the 'Low-Cost Furniture Design‘ competition organised by the Museum of Modern Art. In the current version made of polypropylene, these chairs are even more comfortable. The wide selection of bases makes it possible to use the chairs in a variety of settings: from the dining room or home office to the garden. Shells come in a broad range of colors and upholstery versions, so that components can be mixed and matched to find the perfect chair for individual needs.

Shell dyed-through polypropylene

Dimensions H83 x L46,5 x P55 cm – Seat height 43 cm
Outdoor The DSX with black and white powder coated base are suitable for outdoor use.

Pour profiter de la campagne, choisissez votre chaise ci-dessous
puis complétez-là en ajoutant un coussin fixe.

Chaise DSX
14 couleurs de coque
x 3 couleurs de piètement
= 42 versions disponibles
250 €

Chaise DSX
04 – white

Chaise DSX
03 – poppy red

Chaise DSX
11 – pebble

Chaise DSX
12 – deep black

Chaise DSX
23 – ice grey

Chaise DSX
24 – light grey

Chaise DSX
41 – pale rose

Chaise DSX
34 – mustard

Chaise DSX
26 – sunlight

Chaise DSX
42 – green

Chaise DSX
43 – rusty orange

Chaise DSX
48 – forest

Chaise DSX
56 – granite grey

Chaise DSX
83 – sea blue

Add optional upholstery for DSW Chairs

CAMPAIGN

+ fixed seat cushion
from 90 €
0€ Until January 31, 2022

+ front upholstery
from 180 €

Hopsak fabric

100 % polyamide | 550 gr/m2

Hopsak is an expressive, flat plain-weave fabric made of polyamide. The duotone colours offer a multitude of design possibilities in high-contrast, brightly hued or subtle combinations of warp and weft threads. Highly durable and robust, Hopsak can be used in private interiors as well as public areas.

yellow
/ pastel green (71)

grass-green
/ ivory (69)

grass-green
/ forest (70)

ivory
/ forest (87)

nero
/ forest (77)

mint
/ ivory (85)

mint
/ forest (86)

petrol
/ moor brown (73)

ice blue
/ ivory (81)

ice blue
/ moor brown (82)

blue
/ ivory (83)

blue
/ moor brown (84)

dark blue
/ ivory (74)

dark blue
/ moor brown (75)

dark grey (05)

nero (66)

nero
/ moor brown (78)

marron
/ moor brown (76)

warm grey
/ moor brown (80)

red
/ moor brown (62)

red
/ cognac (96)

red
/ poppy red (63)

coral
/ poppy red (65)

pink
/ poppy red (68)

poppy red
/ ivory (67)

yellow
/ poppy red (72)

cognac
/ ivory (88)

warm grey
/ ivory (79)

Checker fabric

23% polyester, 77% cotton | 467 gr/m2

Alexander Girard developed the textile pattern 'Checker' in 1965 as part of his legendary redesign of the corporate image for Braniff International Airlines. The checkerboard design is a prime illustration of Girard's radical break from the conventional low-key aesthetic that characterised the sector at that time. The soft double weave fabric, with a high percentage of cotton, demonstrates exceptional purity of colour and its geometric pattern lends a striking note to any environment.

Charles & Ray Eames

Charles Eames, born 1907 in St. Louis, Missouri, studied architecture at Washington University in St. Louis and opened his own office together with Charles M. Gray in 1930. In 1935 he founded another architectural firm with Robert T. Walsh. After receiving a fellowship in 1938 from the Cranbrook Academy of Art, he moved to Michigan and assumed a teaching position in the design department the following year. In 1940, he and Eero Saarinen won first prize for their joint entry in the competition "Organic Design in Home Furnishings" organized by the New York Museum of Modern Art. During the same year, Eames became head of the department of industrial design at Cranbrook.

Ray Eames, born Bernice Alexandra Kaiser, was born in Sacramento, California in 1912. She attended the May Friend Bennet School in Millbrook, New York, and continued her studies in painting under Hans Hofmann through 1937. During this year she exhibited her work in the first exhibition of the American Abstract Artists group at the Riverside Museum in New York. She matriculated at the Cranbrook Academy of Art in 1940.

Charles and Ray Eames got married in 1941 and moved to Los Angeles, where together they began experimenting with techniques for the three-dimensional moulding of plywood. The aim was to create comfortable chairs that were affordable. However, the war interrupted their work, and Charles and Ray turned instead to the design and development of leg splints made of plywood, which were manufactured in large quantities for the US Navy. In 1946, they exhibited their experimental furniture designs at MoMA. The Herman Miller Company in Zeeland, Michigan, subsequently began to produce Eames furniture. Charles and Ray participated in the 1948 'Low-Cost Furniture' competition at MoMA, and they built the Eames House in 1949 as their own private residence. In addition to their work in furniture design and architecture, they also regularly turned their hand to graphic design, photography, film and exhibition design.

In 1957 Vitra signed a licence agreement with Herman Miller and began producing the Eames' designs for Europe and the Middle East. Charles and Ray Eames have had a profound and lasting influence on Vitra. It was the encounter with their work that spurred the company's beginnings as a furniture manufacturer. Yet it is not just the products of Charles and Ray Eames that have left a mark on Vitra. Even today, their design philosophy continues to significantly shape the company's values, orientation and goals.