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The Series 7 chair is a timeless icon of Danish design. It is by far the best-selling chair in Fritz Hansen's history, and possibly even furniture history. Its variation in new shell and base colours by Carla Sozzani gives it a new youth without altering its classicism.
The pressure moulded veneer chair is a further development of the classic Ant™ chair. The four-legged stackable chair can be seen as the culmination of the use of the lamination technique.
Depth 52 cm - Width 50 cm for the 3107 version (w/o armrest), 61 cm for the 3207 version (with armrests)
Seat height 43, 46 r 48 cm for the 3107 version (w/o armrest) - 43 or 46 cm for the 3207 version (with armrests)
Total height 79-84 cm according to the chosen seat height
Warranty Fritz Hansen offer up to 20 years limited warranty if the products are registered at fritzhansen.com
16 shell colours
7 base colours
The Series 7 Color chair is available with 16 shell colors and 7 base colors, with a smooth surface (lacquered ash) or showing the grain of the wood (colored ash), with or without armrests: nearly 200 versions in total.
You can compose your own using the customization modules below.
colored ash
(wood grain visible)
405 €
lacquered ash
(smooth)
419 €
colored ash
(wood grain visible)
679 €
lacquered ash
(smooth)
759 €
EXAMPLES
pale rose / chrome
pale rose / warm graphite
wild rose / chrome
wild rose / warm graphite
paradise orange / brown bronze
paradise orange / warm graphite
venetian red / chrome
venetian red / warm graphite
lacquer. true yellow / nine grey
true yellow / chrome
burnt yellow / black
lacquer. burnt yellow / chrome
lavender blue / chrome
lavender blue / warm graphite
dusk blue / silver grey
dusk blue / warm graphite
lacquer. midnight blue / black
midnight blue / chrome
olive green / silver grey
olive green / warm graphite
evergreen / black
evergreen / brown bronze
lacquer. light beige / silver grey
light beige / warm graphite
deep clay / chrome
deep clay / silver grey
white / white
white / warm graphite
Hallingdal 190
Série 7 – coloured ash (wood grain visible) black
chrome legs - Hallingdal 190 fabric
635 €
Sunniva 132
Series 7 – lacquered ash (smooth) evergreen
brown bronze legs - front uph. Sunniva 132
645 €
Steelcut Trio 716
Series 7 – lacquered ash (smooth) midnight blue
warm graphite legs - front uph. Steelcut Trio 716
645 €
Essential black
Series 7 – coloured ash (wood grain visible) black
chrome legs - leather Essential black
815 €
Essential black
Series 7 – coloured ash (wood grain visible) black
chrome legs - leather Essential black
with armrests
1079 €
Customize your Series 7 color front upholstered
colored ash
(wood grain visible)
+ front upholstery
from 549 €
lacquered ash
(smooth)
+ front upholstery
from 559 €
colored ash
(wood grain visible)
+ front upholstery
from 819 €
lacquered ash
(smooth)
+ front upholstery
from 899 €
Nota Bene Available upholstery for Grand Prix is : Christiansvan, Belfast, Canvas, Capture, Diablo, Fame, Remix, Tonus, Divina, Divina Melange, Divina MD, Fiord, Hallingdal, Re-wool, Steelcut, Steelcut Trio, Sunniva, Comfort + leathers Essential, Soft, Grace, Embrace, Rustik & Natural.
Version without armrest (n°3107)
Version with armrests (n°3207)
Arne Jacobsen is born on February 11, 1902 in Copenhagen. His father, Johan Jacobsen, is a wholesale trader in safety pins and snap fasteners. His mother, Pouline Jacobsen, a bank clerk, paints floral motifs in her spare time. The family lived in a typical Victorian style home. As a contrast to his parents’ overly decorated taste, Arne paints his room in white.
Background & school relations
He met the Lassen brothers at Nærum Boarding School: later, Flemming Lassen was to become his partner in a series of architectural projects. Arne Jacobsen is a restless pupil, always up to pranks, with a self-deprecating humour. Already as a child, he showed an extraordinary talent for drawing and depicting nature through scrupulous studies. He wants to be painter, but his father felt that architect was a more sensible choice.
The Pleasant and the necessary trips abroad
Jacobsen’s travelling begin already in his twenties, when he went to sea to New York. Then followed an apprenticeship as a bricklayer in Germany and a series of study and drawing excursions to Italy. Jacobsen produced some of his finest watercolours during this period, capturing atmospheres and shapes accurately and carefully. From the beginning of his career, Jacobsen turned his gaze abroad, without abandoning Danish traditions.
Arne Jacobsen behind the design
Jacobsen production reflects his personality: an insistent, perfectionist modernist, to whom no detail was trivial, although the main picture was basically black/white and unambiguous. On the other hand, the nature-loving botanist and jovial family man: like him, his work is precise and warm, Danish and universal, modern and timeless.
