Fritz Hansen X Scandinavia Design

Series 7 Chair – wood veneer
(with or without upholstery)

 

design Arne Jacobsen, 1955

The Chair Series 7 designed by Arne Jacobsen is by far the most sold chair in the history of Fritz Hansen and perhaps also in furniture history. The pressure moulded veneer chair is a further development of the classic Ant chair. The four-legged stackable chair can be seen as the culmination of the use of the lamination technique.

A technique refined to perfection during the Twenties and Thirties by Søren C. Hansen, the grandson of the founder, Fritz Hansen. The visionary Arne Jacobsen exploited the possibilities of lamination to perfection resulting in the iconic shape of the chair. The Series 7 represents the chair in the Fritz Hansen collection with the widest range of applications. It is lightweight and stackable and offers options such as armrests, castors etc.

Finishes Series 7 is available in several different types of wood each with it´s own unique wood grain pattern, reflecting a comprehensive palette of natural wood tones and hues. The chair is also available in a range of painted versions, in truly distinctive colors to compliment your home or office.

Depth 52 cm - Width 50 cm for the 3107 version (w/o armrest), 61 cm for the 3207 version (with armrests)
Seat height 43, 46 r 48 cm for the 3107 version (w/o armrest) - 43 or 46 cm for the 3207 version (with armrests)
Total height 79-84 cm according to the chosen seat height
Warranty Fritz Hansen offer up to 20 years limited warranty if the products are registered at fritzhansen.com/my-fh

>> See also the 150th Anniversary Edition

Oak / warm graphite legs

The Chair Series 7 is available with or without armrest, with wooden shell, wooden shell + front upholstery or with fully upholstered shell (in tat case, the wood is not visible). 

The Chair Series 7 is also available with coloured shell and with swivel base.

Series 7 without armrest (3107)

Series 7 with armrests (3207)

Unupholstered
540 €

Front upholstery
from 694 €

Unupholstered
910 €

Front upholstery
from 1065 €

Fully upholstered
from 694 €

Fully upholstered
from 942 €

7 base colors

Fabrics & Leathers

Examples:

Oak

Elm

Dark stained oak, light edge

Dark stained oak, dark edge

Beech

Walnut

Ash

Oregon pine

Maple

Cherry

Oak + leather Essentiel black (price group 3)

Walnut + leather Essentiel black (price group 3)

Walnut + leather Essentiel stone (price group 3)

leather Essentiel black (price group 3)

Leather Grace Walnut (price group 5)

Steelcut Trio 133 (price group 2)
/ base Brown Bronze

Arne Jacobsen

Arne Jacobsen is born on February 11, 1902 in Copenhagen. His father, Johan Jacobsen, is a wholesale trader in safety pins and snap fasteners. His mother, Pouline Jacobsen, a bank clerk, paints floral motifs in her spare time. The family lived in a typical Victorian style home. As a contrast to his parents’ overly decorated taste, Arne paints his room in white.

 

Background & school relations

He met the Lassen brothers at Nærum Boarding School: later, Flemming Lassen was to become his partner in a series of architectural projects. Arne Jacobsen is a restless pupil, always up to pranks, with a self-deprecating humour. Already as a child, he showed an extraordinary talent for drawing and depicting nature through scrupulous studies. He wants to be painter, but his father felt that architect was a more sensible choice.

 

The Pleasant and the necessary trips abroad

Jacobsen’s travelling begin already in his twenties, when he went to sea to New York. Then followed an apprenticeship as a bricklayer in Germany and a series of study and drawing excursions to Italy. Jacobsen produced some of his finest watercolours during this period, capturing atmospheres and shapes accurately and carefully. From the beginning of his career, Jacobsen turned his gaze abroad, without abandoning Danish traditions.

 

Arne Jacobsen behind the design

Jacobsen production reflects his personality: an insistent, perfectionist modernist, to whom no detail was trivial, although the main picture was basically black/white and unambiguous. On the other hand, the nature-loving botanist and jovial family man: like him, his work is precise and warm, Danish and universal, modern and timeless.