Home > Carl Hansen > Storage > Credenza CH825

Scandinavia Design

Credenza CH825 – Carl Hansen

Hans J. Wegner, 1959

Espace Client
Fr
Panier
En
Carl Hansen & Søn, Design Danois
Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959

Wegner's Credenza CH825 from 1958 is based on Wegner's original drawings and was originally one of a series of three credenzas. Although it looks simple, the credenza features an advanced design with roller shutter doors, requiring double sides and rear panel, between which the roller shutters run on a track and disappear when opened.

The interior features adjustable shelves and pull-out drawers designed to enable simple installation of additional drawers.

The credenza, originally made of rosewood and teak, has today been replaced with walnut and oak. Its interior shelves and pull-out drawers are oak. The legs are either round wooden ones in solid oak or walnut or steel loops, which are also used in Wegner's CH100 series. 

Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959
Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959

Dimensions 200 x 49 x H81 cm Weight 40 kg
Exterior oak or walnut veneer Interior solid oak
Legs stainless steel or solid wood

Credenza CH825 – Metal legs
from

Credenza CH825 – Wood legs
from

Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959
Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959
Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959

Oiled Walnut

Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959
Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959

Oiled Oak

Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959
Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959

Oiled Oak / Stainless Steel 

â–¸ wood & finishes

Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959
Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959
Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959
Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959
Credenza CH825  Carl Hansen & Søn  Hans Wegner, 1959

Hans J. Wegner

Hans J. Wegner

Hans J. Wegner was born in 1914 in Tønder, Denmark, the son of a shoemaker. At the age of 17, he finished his apprenticeship as a cabinetmaker with H. F. Stahlberg, in whose workshops Wegner’s first design experiments took form. He moved to Copenhagen as a 20 year-old, and attended the School of Arts and Crafts from 1936 – 1938 before he began working as an architect.

As a young architect, Wegner joined Arne Jacobsen and Erik Møller in Århus, working on furniture design for the new Århus city hall in 1940. It was during the same year that Wegner began collaborating with master cabinetmaker, Johannes Hansen, who was a driving force in bringing new furniture design to the Danish public.

The Copenhagen Museum of Art and Industry acquired its first Wegner chair in 1942.

Wegner started his own design office in 1943. It was in 1944 that he designed the first “Chinese chair” in a series of new chairs that were inspired by portraits of Danish merchants sitting in Ming chairs. One of these chairs, the “Wishbone Chair”, designed in 1949 and produced by Carl Hansen & Son in Odense since 1950, became the most successful of all Wegner chairs.

Among Danish furniture designers, Hans J. Wegner is considered one of the most creative and productive. He has received practically every major recognition given to designers, including the Lunning prize, the grand prix of the Milan Triennale, Sweden’s Prince Eugen medal and the Danish Eckersberg medal. Wegner is an honorary Royal designer for industry of the Royal Society of Arts in London. Almost all of the world’s major design museums – from The Museum of Modern Art in New York to Die Neue Sammlung in Munich – include his furniture in their collections.

Hans J. Wegner died in Denmark in January, 2007.

Hans J. Wegner’s  contribution to Danish Modern:

- First a cabinetmaker, then a designer: integrates exacting joinery techniques and exquisite form.

- A deep respect for wood and its characteristics – and an abiding curiosity about other natural materials

- Brings an organic, natural softness to formalistic minimalism

- Generally regarded as ”the master of the chair”, with more than 400 chair designs to his name